We took still photos around where we wanted to film (we would film on location), photographing in the same places we made the sound recordings as well as other locations we thought worked stylistically. We imagined the film having a dull colour scheme with blues and greys, however they stronger blues and yellows in the location worked well. I particularly liked the images of the walls; shooting with a narrow focal length and narrow aperture straight at the wall removed the depth of field, drawing more attention to the texture and arrangement of elements in the image. This is a style we may employ in the film.
These stairs are another possible location at which we may film; the stairs and the surrounding area reflect the urban, uncomfortable environment we wish to set our film in, which makes the protagonist uncomfortable and anxious.
This image conveys fatigue and sadness just from the body language. The deep depth of field shows us the world the protagonist is looking out at, which is a busy cityscape. I would like to perhaps recreate this style of shot but in a better location that is more aesthetically pleasing.
This image I really like and may recreate in the film; it is taken in the same lift where we made our sound recordings. The mirror, often used as a method of showing a character's reflective nature, is behind the character, her back being turned on it. However a different side to her is visible through the glass, showing a different side to her, conveying that the character may be multi-dimensional, and may perhaps shun reflecting on their life for fear of instability or feeling unfulfilled in life. She looks uncomfortable and cold, that is shown also by the cold background of blue and the metallic, uncomfortable texture of the lift. The below image was shot at the train station, another location we plan on using, and used for our sound piece.
Monday, 30 November 2015
Sound recordings for sound piece
We started recording busy and interesting locations, keeping in mind 'Sense of Space' as a brief whilst recording and began to form an idea. We recorded in a train station, market and in the street, but also in a lift with few people, which was in contrast much quieter than the rest of the recordings, and allowed you to listen to smaller details, such as the floor number, tapping on the handrail, conversations and the quiet whir of the lift moving.
Dan and Natalie Soundcloud
For recording we used a Zoom H4n Handy recorder and an Audio Technica AT8015 shotgun microphone. We made the recordings over a few days, returning to locations we liked best to make more and better recordings.
Dan and Natalie Soundcloud
For recording we used a Zoom H4n Handy recorder and an Audio Technica AT8015 shotgun microphone. We made the recordings over a few days, returning to locations we liked best to make more and better recordings.
Experimental film - Flight (2006, Dryden Goodwin)
Flight (2006, Dryden Goodwin) is a experimental short film that
uses live action, animation and music to covey a journey from a cityscape to
the sea. Very little diegetic sound is used, instead relying heavily on a non
diegetic soundtrack to make the scenes more distant from reality, perhaps only
in the imagination of the protagonist. The soundtrack is slow and emotional,
using sounds such as a distorted female voice to create a melancholy
atmosphere. The camerawork is very fluid, using zooms, pans and handheld
camerawork to evoke a sense of freedom and express the journey the narrative
takes. The drawing animations convey an uncomfortable and distracted psychology
of the protagonist, changing quickly around its surroundings and over the faces
of strangers, as if the protagonist is trying to make sense of other people and
the locations he finds himself in. The drawings, along with the entire film's
journey, could simply be a method of distraction; perhaps he is drawing these
images from his minds eye, and this allows to him (mentally) escape the urban
environment seen in the second shot, hence why the first shot is static;
because he hasn't yet embarked on his mental journey. The film fits into
Bordwell and Thompson's 'Associational form' experimental film category,
through it's use of connections between animation and live action, as well as
the seemingly unconnected scenes.The film's soundtrack, dark cinematography and
lack of dialogue/characters has an unnerving effect on the audience.
https://www.youtube.com/watch?v=4vB0KDodaxc
https://www.youtube.com/watch?v=4vB0KDodaxc
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